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SliderPLUS Bundles (View all)
Bundle #049 Bundle #049 with Pan PRO for PRO Cameras
HOT Bundle #018 Bundle #018 with HeadPLUS for DSLRs
Bundle #023 Bundle #023 with HeadPLUS PRO for PRO Cameras
SliderONE Bundles (View all)
Bundle #046 Bundle #046 with Pan PRO for PRO Cameras
HOT Bundle #008 Bundle #008 with Dual HeadONE for DSLRs
Bundle #014 Bundle #014 with HeadPLUS for DSLRs
JibONE Bundles (View all)
Bundle #042 Bundle #042 with Dual HeadONE for DSLRs
HOT Bundle #043 Bundle #043 with HeadPLUS for DSLRs
Bundle #053 Bundle #053 with HeadPLUS & Pan PRO for DSLRs
Compare & Bundle Compare different motorized setups and find the one that is best suited to your needs. START
HeadPLUS
HOT HeadPLUS v2 HeadPLUS v2
HOT HeadPLUS v2 PRO HeadPLUS v2 PRO
HOT Vision Module Vision Module
HOT FocusPLUS PRO FocusPLUS PRO
Laser Module Laser Module
Pan PRO
Pan PRO Pan PRO
Shutter Trigger Module Shutter Trigger Module
HeadONE
HeadONE HeadONE
Tilt Kit v2 Tilt Kit v2
SliderPLUS v5
SliderPLUS v5 Compact SliderPLUS v5 Compact
SliderPLUS v5 Long SliderPLUS v5 Long
SliderPLUS v5 PRO Compact SliderPLUS v5 PRO Compact
SliderPLUS v5 PRO Long SliderPLUS v5 PRO Long
Slide Module v3 Slide Module v3
Steady Module Steady Module
SliderONE
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JibONE v2
NEW JibONE v2 JibONE v2
Pan PRO Pan PRO
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Focus
FocusPLUS PRO FocusPLUS PRO
FocusONE v2 FocusONE v2
Lens Gear Lens Gear
Lens Gear PRO Lens Gear PRO
Essentials
edelkrone Link Adapter edelkrone Link Adapter
edelkrone Link Hub edelkrone Link Hub
edelkrone Controller v2 edelkrone Controller v2
Power Module V-Mount Power Module
Product Turntable Kit v2 Product Turntable Kit v2
PocketRIG v3 PocketRIG v3
Handle Pack for PocketRIG v3 Handle Pack for PocketRIG v3
PhoneGRIP PhoneGRIP
FocusONE v2 FocusONE v2
Monitor / EVF Holder Monitor / EVF Holder
FlexTILT Head v3 FlexTILT Head v3
FlexTILT Head PRO FlexTILT Head PRO
StandONE StandONE
QuickRelease ONE v2 QuickRelease ONE v2
Tripod Cold Shoe Adapter Tripod Cold Shoe Adapter
Shutter Release Cables Shutter Release Cables
Bags & Cases
edelkrone Backpack edelkrone Backpack
JibONE HeadPLUS / HeadPLUS PRO
SliderPLUS PRO Long SliderPLUS Cases
Slide Module / Wing PRO / Pan PRO / Power Module Slide Module / Wing PRO / Pan PRO / Power Module Gold Mount
SliderONE / SliderONE PRO SliderONE / SliderONE PRO
JibONE JibONE
DollyONE DollyONE
HeadONE / FlexTILT Head / Steady Module HeadONE / FlexTILT Head / Steady Module
Wing / StandONE / PocketRIG 2 / Power Module V-Mount Wing / StandONE / PocketRIG 2 / Power Module V-Mount
FlexTILT Head PRO FlexTILT Head PRO
Pouch for L-Bracket / Tilt Kit Pouch for L-Bracket / Tilt Kit
Apparel
White ComforTee White ComforTee
Black ComforTee Black ComforTee
Black ComforSweat Black ComforSweat
Black BasicHoodie Black BasicHoodie
Black Cap Black Cap
Orange Cap Orange Cap
Ortak 3D Printable Products
FlexTILT Head 3D FlexTILT Head 3D
Skater 3D Skater 3D
PocketSHOT 3D PocketSHOT 3D
PhoneGRIP 3D PhoneGRIP 3D
Power
Power Module V-Mount Power Module
V-Mount Battery Bracket V-Mount Battery Bracket
Gold Mount Battery Bracket Gold Mount Battery Bracket
V-Mount Battery V-Mount Battery
Gold Mount Battery Gold Mount Battery
V-Mount Battery Charger V-Mount / Gold Mount Battery Charger
Canon LP-E6 Battery Bracket Canon LP-E6 Battery Bracket
Sony NP-F Battery Bracket Sony NP-F Battery Bracket
x2 LP-E6 batteries w/ charger x2 LP-E6 batteries w/ charger
x2 NP-F batteries w/ charger x2 NP-F batteries w/ charger
LP-E6 Battery Dummy Pack LP-E6 Battery Dummy Pack
x4 AAA rechargeable batteries w/ charger x4 AAA rechargeable batteries w/ charger
x4 AA Rechargeable Batteries w/ Charger x4 AA Rechargeable Batteries w/ Charger
AC/DC Adapter AC/DC Adapter
Lenses
Laowa Macro Probe Lens Laowa Macro Probe Lens
Heads
Manfrotto 502AH Pro Video Head Manfrotto 502AH Pro Video Head
Benro S6 Video Head Benro S6 PRO Video Head
Manfrotto XPRO Magnesium Ball Head Manfrotto XPRO Magnesium Ball Head
Manfrotto 244 Mini Friction Arm Manfrotto 244 Mini Friction Arm
Tripods
Manfrotto 536 Carbon Fiber Video Tripod Manfrotto 536 Carbon Fiber Video Tripod
Benro A373T Aluminum Video Tripod Benro A373T Aluminum Video Tripod
Benro 75mm Hi-Hat Benro 75mm Hi-Hat
Bags
Incase DSLR Pro Pack Incase DSLR Pro Pack
Special Offers
SPECIAL OFFERS
Bundle & Save TradeUP HOTClearance Stock Educational Discount #edelkroneChallenge
Inspiration
INSPIRATION
HOTHighlights Featured Videomakers In-Action Motion is Emotion
ACCOUNT
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SUPPORT
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GEOFFROY
GROULT
A self-taught director, photographer, editor and motion designer from Bordeaux who is specialized in time-lapse and hyperlapse. Being especially interested in photography, Geoffroy Groult has caught our attention by being meticulous and perfectionist in his work. As you know, we love to tell story of success, therefore we are proudly publishing another exclusive interview with a trendsetter videomaker: enjoy it!

Asude: Welcome Geoffroy, thank you for accepting our interview! We’ve been following your projects for such a long time. As edelkrone team, we all wonder where you are from and how you got started with videography.

Geoffroy: I was born in GAP, in the Hautes-Alpes, in France I started quite late actually, because I wanted to work in the video games industry when I was young. I started making videos at the end of my high school years, when I was 19, making short movies with a friend. Luckily, they are no longer on internet ;) Then I got interested in cinema and wanted to do the same thing. Now, I work as the video editor and motion designer for TV commercial, corporate and documentary films.

Geoffroy Groult

A: So, how does it feel like being a self-taught videomaker?

G: Now, with internet, we have a way to train very well and very quickly with tutorials on YouTube, Vimeo or specialized sites. It allows you to develop your own point of view and your own methodology. And above all, it allows you to extend your skills and touch all trades. To make videos, I had to learn to film, edit, do special effects and color grading. Passion was my best teacher.

Geoffroy Groult

A: What’s the point of view that you’ve developed? I mean, how would you describe your videography style?

G: I am an ultimate fan of director Zack Snyder, so I try to be pretty close to his style. But, I am also a player, passionate about video game teasers. So, I try to have a pretty cinematic style with very precise and millimetric images. And a touch of poetry… at least I try.

Geoffroy Groult
Never give up and have fun!
Geoffroy Groult

A: Game teasers must be fun to work on! So, how much planning is there behind the scenes? What are the preparations you make before you begin filming?

G: I start by looking for a music, before starting to film. The music affects me and how I’m going to shoot my shots. I’d also visit Fubiz and Vimeo to find references and ideas of style and atmosphere that could inspire me.

A: And, what are your equipment preparations? What’s the equipment you generally bring to a set?

G: I like filming with minimum equipment. I’m using the Blackmagic 4K camera, a tripod Manfrotto and my edelkrone sliders. I also take 3 LED panels, if I film at night. For my time-lapses, a camera and a tripod are enough.

Geoffroy Groult

A: I think that’s quite minimal and ideal. Do you ever feel the need to rent your filmmaking equipment or do you prefer buying?

G: I prefer buying my equipment. I don’t work with a working plan and a defined schedule. I film when my project is ready and when I have time. Renting would be too complicated for me.

A: It seems you put a huge effort in the post-production phase of your work-flow because we always see “something more” especially in your inception shots. Could you share the software you use for post-production with us?

Geoffroy Groult

G: I use Adobe software. Premiere for editing and color grading. After Effects for sfx. Photoshop for pictures. Cinema 4D for 3D.

Geoffroy Groult

A: With the new apps, cameras, equipment and other new technologies making video making more accessible to the public, what do you think about the future of filmmaking with the technology is advancing so fast?

G: I find it cool, the equipment is more and more affordable to more people. Now, we can do self-produced movies with very little budget. But you have to be careful, affordable does not mean quality. And, it is necessary that the manufacturers stop their race for solutions. It's almost impossible to edit a movie in 4K and the guys already announce the 8K! It's good on the box of the camera, but it's useless. They direct the development of their technology from a marketing point of view to sell their products, but it does not meet the expectations of filmmakers. I'd rather have rushes with better sampling rather than an 8K image. That's why I love my Blackmagic filming in 4K RAW!

Geoffroy Groult

A: Thank you Geoffroy! And, last but not least, what’s your biggest ambition for the future?

G: I hope to work in cinema or TV commercial. I’m starting to edit some commercials, so it’s cool. I would also like to do more photography.

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